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Trivia quiz for “Not Without Laughter” by Langston Hughes

Trivia Quiz for Not Without Laughter by Langston Hughes (1930)

For West Seattle “Classic Novels (and Movies)” book club, 9/19/21

1. The Growing Child’s Perspective.  On women, love and marriage. Which of the following quips about women is not in the novel?

a. “X was an intensely dreary girl … who had failed so far to marry, and seemed to have no biological reason for existing.”

b. “I ain’t never seen a yaller dude yet that meant a dark woman no good.”

c. “She knew how it was, of course, that her husband hadn’t written before. That was all right now.”

d. “Treat ‘em like chickens, son. Throw ‘em a little corn and they’ll run after you, but don’t give ‘em too much. If you do, they’ll stop layin’ and expect you to wait on ‘em.”

2. On work, money and justice. Which of the following is not in Hughes’s novel?

a. “She was a good nurse… Sometimes they paid her and sometimes they didn’t.”

b. “On Thursdays she did the Reinarts’ washing, on Fridays she ironed it, and on Saturdays she sent it home, clean and beautifully white, and received as pay the sum of seventy-five cents.”

c. “’I was not thinking of the slave-trade,’ replied X; ‘governess-trade, I assure you, was all that I had in view; widely different certainly as to the guilt of those who carry it on.’”

d. “I reckon white folks does think right smart of me … They always likes you when you tries to do right.”

3. On secrets and misunderstandings. Which of the following is not in the novel?

a. “X had lived too long with three women not to have learned to hold his tongue about the private doings of each of them.  … he “saw it with his eyes, but not with his mouth.”

b. “Her longing for love had become an obsession.”

c. “X had discovered long ago that you could hear and see many things by not going to sleep when the family expected you to.”

d. “He had discovered already, though, that so-called jokes are often not really jokes at all, but rather unpleasant realities that hurt.”

4. The Savvy Youth’s Perspective.  As time passes, the narration begins questioning certain statements and truths. Which of the following lines is not in the book?

a. “It was all great fun, and innocent fun except when one stopped to think, as white folks did, that some of the blues lines had, not only double, but triple meanings.”

b. “X wondered how people got to be great, as, one by one, he made the spittoons bright.”

c. “’It’s too bad you aren’t white.’ … X had taken this to heart, not as an insult, but as a compliment.”

d. “How incredible that anyone should insist on living in that squalid building that would be demolished any day now.”

5. The Emerging Adult Perspective.  On religion, fighting, and doing good. Which of the following is not from Hughes’s book?

a. “I’m very ready to believe his character will improve, and acquire from hers the steadiness and delicacy of principle that it wants.”

b. “But I don’t want heaven! I want to live first! … I want to live!”

c. “To those who lived on the other side of the railroad and never realized the utter stupidity of the word ‘sin’, the Bottoms was vile and wicked.”

d. “‘To the uninitiated it would seem that a fight was imminent. But underneath, all was good-natured and friendly—and through and above everything went laughter. No matter how belligerent or lewd their talk was … these black men laughed.”

6.  Not Without Laughter as Migration Novel. A classic in the genre, it depicts an African-American family moving North from a small town to a big city, in hopes of a better life.  Circle the correct sequence of the child hero’s movement in the novel.

a. Stanton, KS to Chicago, IL            

b. New Orleans, LA to Stanton, KS, to Chicago, IL

c. Stanton, KS to Chicago, IL, to Stanton, KS          

d. Stanton, KS to Detroit, MI to Chicago, IL

7. The area where the hero lives in Chicago is nicknamed “The Black Belt”.      True / False

8. Poetry and music! Which of the following poetic descriptions is not from the novel?

a. “Earth and sky were fresh and clean after the heavy night-rain, and the young corn-shoots stood straight in the garden… There was the mingled scent of wet soil and golden pollen on the breeze that blew carelessly through the clear air.”

b. “The rose of the world was breathing out smell. It followed her through all her waking moments and caressed her in her sleep.”

c. “Funny how old folks like to sing that way, ain’t it?’ ‘It’s beautiful!’ X cried—for, vibrant and steady like a stream of living faith, their song filled the whole night: An’ we’ll understand it better by an’ by!’

d. “While the cynical banjo covered unplumbable depths with a plinking surface of staccato gaiety, like the sparkling bubbles that rise on deep water over a man who has just drowned himself.”

9. What kind of music does the author not describe or evoke in this book?

a. Gospel        

b. Jazz            

c. Country-Western               

d. Blues

10. Ambivalence Rules? The narration leaves the ending open, and judgment remains up to the reader. Which of the following uncomfortable statements is not from Hughes’s novel?

a. “He didn’t know that grown-up people cried, except at funerals … He didn’t know they ever cried alone, by themselves in their own houses.”

b. “White folks will see that the Negro can be trusted in war as well as peace. Times will be better after this for all of us.”

c. “I only had to break it, and I was rid of it forever. So simple! I’d never thought of it before.”

d. “They’re right, though, looking out for themselves… and yet I hate ‘em for it.”

ANSWERS

1. a. (That quote is from Nancy Mitford, The Pursuit of Love.)

2. c. (That quote is from Jane Austen, Emma.)

3. b. (A quote from Mitford, The Pursuit of Love.)

4. d. (That quote is from Clarice Lispector, Family Ties.)

5. a. (A quote from Emma, by Jane Austen.)

6. a.

7. True

8. b. (That quote is from Zora Neale Hurston, Their Eyes Were Watching God.)

9. c.

10. c. (That quote is from Nella Larsen, Passing.)

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we do not achieve things …

by way of proclamations and slogans

but through

persistence,

effort,

and

enthusiasm.

“May 15” in Path to Peace by Shi Wuling.

***

The venerable Shi Wuling once came to South Bend, IN, and it is from her that I first learned about Buddhism. Lately I’ve delved into Tibetan Buddhism with Lama Surya Das’s audiobooks, Buddha Standard Time and Buddha Is as Buddha Does. Perhaps it’s working, because I finally feel more at home at home. It’s almost three years since we moved. Since I left my identity at the curb and took on a new everything. (Well not quite everything. The husband and dog are the same.)

And I swear we’ve both lost 10 years in attitude-drag. To see him on his e-bike & going to the gym, and me with my regular T’ai chi and Aikido sessions, we are both way more disciplined and physically fit than we were in our 50s. We’re also cheerful now. I think we are actually happy, most of the time. Pretty amazing in comparison with the stressed-out wrecks we used to be!

Funny, what you realize when you have the time to realize stuff.

Creating intricate quilts with symbolic meanings and diverse textures continues to be my passion and way of communicating with the world. Above and below you’ll see some pics of my latest work, the “Respect” and “RARE” quilt projects, which have drawn me to connect with people of color from all around the USA and increasingly, here in my hometown. That development–and the chats, smiles, and thank you letters I’ve received–give me great pleasure and life satisfaction.

Thinking it over as I work in silence, I realize that these projects are a continuation of friend-making I learned to do in France. After years of feeling estranged in my beloved adoptive country, and never really connecting in a long-term way with a French person, I moved to France again in 2001. We would be there for two years, so I needed a friend. One day, I put up a card in the library, asking basically if anybody felt like being friends. Or at least talk once a week. Then 9/11 happened the very next day. And on 9/12, two French women called. It worked. Life-long friendships were born there in the Bibliothèque anglophone on rue Boisnet in Angers, France.

Now I’m trying to reach out, or deepen friendships, with people from a different population–namely my fellow citizens. Through the “Respect” quilts, I seek to support and celebrate people of color in the USA. And make friends, if possible. As a very white person living in a very white city, it is not that easy. But little by little, what do you know? The same technique seems to work. People like people who like them. A smile begets another. Hope begets hope. One person’s search meets another’s.

These latest quilts are for inspiring Black women who live in the Seattle area, a top-echelon hospital administrator (and a friend, whose name starts with “J”) and an award-winning high school student.

Drop by West Seattle Grounds coffee shop during the month of June and you will be surrounded by my handiwork. I’ll be there in person smiling at everybody, and hosting the “Make a quilt” game, during the West Seattle ArtWalk on June 10 from 5-8pm.

On another note, it would be amiss of me to neglect mention of Taiyaki, a Japanese delicacy that I discovered today after T’ai chi class. (Which was fantastic as always.) The taiyaki truck Bean Fish parked right behind me. When I smelled that good smell and saw the truck sitting there, I thought: “If this is not synchronicity then I don’t know what is!”

Wow! Good call. I highly recommend the Food Truck, Bean Fish, for these deliciously comforting treats. I had an “original” with red bean paste and loved the warm, crunchy, gushy sweet combo of flaky crust, soft inner layer and perfectly textured bean paste (very important). Plus the adorable fish’s face and cute scales! It made me quite content, all the way home.

(Or for the rant version: all the way through the convoluted Pioneer Square detours, past the rude/terrifying speeders who zoom by and/or cut in on the highways, and behind the long lines of patient neighbors working our way back to “Vashon East”, otherwise known as West Seattle, cut off from the mainland since 2020 when our bridge broke.)

Either way, it was an excellent Saturday morning.

FYI: The Bean Fish truck is parked across the street from the busy and amazing Asian grocery store, Uwajimaya, for your shopping convenience.

Long live Seattle’s International District and Chinatown, for bringing the tastes, sounds, smells, and arts of Asia to the West!!

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Seattle Protests! face masks support ACLU and #BLM

 

These face masks celebrate the peaceful #Black Lives Matter protests which have marked 2020 in Seattle and ushered in hopes for a more equitable future.
– Available in Large, Adult, and Petite sizes
– Attached by black cotton ties printed with colorful peace symbols. Extra long ties for all hairstyles!
– The latest in retro-chic style (see the June 2020 Vogue!)
– Sold in sets of two masks
– 100% cotton front and back. The fronts are in bright orange and red batik, printed with a black silkscreen of the Seattle cityscape. The backs are made of tight-woven white cotton for superior protection.
– Created from New York Times pattern (April 1, 2020): page A15
– Lined with interfacing for a crisp look with no ironing required
– Include the adorable HGBG puppy dog logo
– Free shipping to anywhere in the USA.
– 50% of proceeds will be donated to the local arm of the ACLU, the American Civil Liberties Union, the nation’s premier civil rights and civil liberties organization. Clients will receive a copy of the receipt from the ACLU when this fund-raiser is over.
– Your purchase supports a Seattle small business and promotes fair and equal civil rights for all!

-Limited availability; only 25 will be made. Order today from the Honey Girl Books and Gifts Etsy store.

Seattle Protests masks with books

Why? Because Black Lives Matter.

P.S. Wonder who that handsome smiling man is, in the background on the right? It’s Langston Hughes (1901-1967): a great African-American activist and writer, and judging from the touching voice of his poems, a beautiful human being.  Listen to him recite “I, Too Sing America.”

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day 79: follow his words–Chad Sanders, that is

Hey readers,

Exhausted, heart-sick, anxious and wretched? Me too. But we need to get over it. I got a surge of new energy–and humility–this morning from reading the powerful article in the New York Times Op-Ed section by Chad Sanders (author of the forthcoming book, Black Magic). The article is accompanied by the image above, by Hanna Barczyk, which says it all: hey white folks, stop drowning black people in your crocodile tears!

Basically, Sanders is here to chastise us–white people like me who’ve written to our black friends this week–and to explain why our messages are misguided and tiring. Black people are drowning in our smug letters and texts, he says. Moreover, he points out that us telling people, “Don’t feel the need to respond,” is wrong on all accounts: it is oppressive,  condescending and not appreciated by the recipient. (How would you like it if someone told you how to feel? or not to feel?)

Most usefully, he provides instructions on what we CAN do, if we want to do something meaningful.  As he writes, “please, stop sending #love. Stop sending positive vibes. Stop sending your thoughts. Here are three suggestions on more immediately impactful things to offer instead:

  1. Money: To funds that pay legal fees for black people who are unjustly arrested, imprisoned or killed or to black politicians running for office.
  2. Texts: To your relatives and loved ones telling them that you will not be visiting them or answering phone calls until they take significant action in supporting black lives either through protest or financial contributions.
  3. Protection: To fellow black protesters who are at greater risk of harm during demonstrations.”*

*Chad Sanders, “White Friends, Fight Anti-Blackness,” New York Times (6/6/20): A21.

Being a good student, I immediately got out my wallet and visited the link on Anti-Racist and Social Justice Resources of my favorite local public radio station, KEXP. After studying some options, I chose to donate $100 to National Bail Out. I like their slim organization–run by volunteers–and their clear mission: this is a “Black-led and Black-centered collective of abolitionist organizers, lawyers and activists building a community-based movement to support our folks and end systems of pretrial detention and ultimately mass incarceration. We are people who have been impacted by cages — either by being in them ourselves or witnessing our families and loved ones be encaged. We are queer, trans, young, elder, and immigrant.”  Learn more at www.nationalbailout.org.

national bail out

In conclusion, please excuse me, black friends, if I annoyed you or wasted your time with my emails this week. And I thank you, Chad Sanders, for helping me understand how I can help with funding organizations like National Bail Out. On a lighter note, I’m thrilled to see one of my clients wearing one of my face masks to a local demonstration!  (Looking good, Shep!)

Shep at protest with HG face mask on June 5 2020

p.s. I’m still moving forward on plans for the “Respect” quilt project, and the special offer of a Honey Girl quilt for only $100 is still good for one more day!  See day 73 for details.

Respectfully yours,

Julia

fyi: no face masks made yesterday, but production resumes today…

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day 76, same as yesterday, but local connections!

Hey readers,

Guess I missed the tip yesterday, about going blank for a day. Don’t really agree anyway: it is better to sustain, rather than refrain. So today I searched online for ways to buy things I need from black-owned businesses in my local area, Seattle. What a revelation! I found Our Fabric Stash, a shop owned and run by Deborah Boone, a black woman whose vision and work are AWESOME. In consultation with a homeless person of her acquaintance, she created a “Homeless Sleep Care Cushion” kit (see video here) which anyone can buy and sew at home. It makes a warm, waterproof, comforting cushion suitable for use on the street. One can then donate it to a homeless person, or bring the finished product to the Our Fabric Stash shop in the Pike Place Market for distribution to the homeless in Seattle. She also sells fabric on a consignment basis, which is a smart and visionary way to sustain the ecosystem among creators.

I bought a few of these adorable patches for my new “Respect” quilts, and thanks to the owner’s excellent communication, I was able to purchase via email some African fabrics and this nice combo of cottons to honor a friend’s fondness for Bob Marley and reggae music!

Bob Marley colors cotton from Our Fabric Stash

In the meantime, the HGBG offer remains: this week only (til June 7): a personalized Honey Girl quilt can be yours for only $100.  Reserve yours now, by dropping me a line!  Lead time 3-6 months.

Must make more face masks now!

fyi, yesterday’s face mask production:

face masks made on June 2 2020

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American literature art children creativity design friendship happiness music wisdom

Day 32: “Shameika”: Très cool.

You really know you’ve been listening to the radio a lot when you know who “Shameika” is. And you actually know who’s being written about in the media. Case in point: Fiona Apple, and her song “Shameika.” (Or “Shameika Said I Have Potential. Shameika Said I Have Potential. Shameika Said I Have Potential.”—you just keep on wanting to say it. It’s hypnotic.) The song’s dissonant rhythms and jarring effects reminded me of walking down the hall in high school, by the banging of metal locker doors and kids throwing words around like hand grenades.

Très cool.

In today’s New York Times, not one but four music critics join voices to explain the many ways Fiona Apple’s album is a “bold, cathartic, challenging masterpiece.” (And I’m going to order my copy asap from Easy Street Records!). Critic Lindsay Zoladz addresses the Shameika song, writing:

“One of the album’s unifying themes is women and Apple’s relationships with them, not in a rah-rah #empowerment sense but in a much more complicated and often very raw manner. A standout is “Shameika,” named for a schoolmate of Apple’s who—in a eureka moment for the artist that she admits Shameika probably doesn’t remember—told our antsy, tortured, self-doubting future songwriter that she “had potential.” The verses are chaotic torrents of piano and percussion, and then the world suddenly stops as Apple sings, in an almost hammy, Elton John kind of way, ‘But… Shameika said I had potential.’”

That is all good and fine but when I saw the photo of Fiona Apple—skinny white chick with long dark hair—and that she was raised in Harlem, I knew that Shameika was black.  That is key to the song!!!  Because it builds on what the critic should know, (shouldn’t they?) and admit: if you’re a neurotic white girl and a black girl thinks you’re cool, well, you suspect that it may actually deep down somewhere be true. It’s a bit of white culture, don’t you know… And it’s an amazing feeling.

(Fiona Apple’s young life in Harlem was harrowing. According to her wiki-bio, “At age 12, Apple was raped outside the apartment she shared with her mother, step-father and sister in Harlem. She subsequently developed an eating disorder, purposely slimming her developing body, which she saw as ‘bait’ for potential predators. ‘I definitely did have an eating disorder,’ she recalled. ‘What was really frustrating for me was that everyone thought I was anorexic, and I wasn’t. I was just really depressed and self-loathing.'”

So you can imagine when Shameika said she had potential, it was really, really, really cool. It was ruminate all the way home in your head and write about in your diary cool. Those words lifted her, til she was soaring in the sky on the wings of cool…

Nice.

Can’t wait to listen more to my favorite station, KEXP, after my quiet walk around the neighborhood.

fyi: here’s yesterday’s face mask production, for a mother and two children (daughter–blue; son–red).

Masks made on April 19 2020

btw: Keep those orders coming! If you can be patient, I’ll just keep on sewing face masks! I’m loving the sewing, actually (as long as I practice T’ai chi, take care of posture, and dance around the room while working!). I also love connecting to people through beautiful fabrics and careful stitching. My hope is that the people feel someone cares about them, and the masks endow them with a sense of dignity and style. As if we too, all of us, despite all this bad and sad stuff that’s going on, we too “have potential.”

photo of Fiona Apple by Sachyn – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=79308040

Fiona Apple joins the Watkins Family Hour house band for Bob Dylan’s Highway 61 Revisited at Lincoln Center’s Out of Doors series, August 8, 2015. Photo by Sachyn Mital.