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Seattle Quilts are here!

Right in time to ring out the bad old year and usher in a brighter future, is my new line of Seattle Quilts! They feature calm images–whales, sailboats, (and a sailboat gliding over a whale), seagulls, rolling waves, the cityscape at dawn– alongside bright fabrics celebrating some of Seattle’s many cultures–Mexican florals, Vietnamese tigers, African wax prints, Japanese cranes in flight–plus a UW symbol and adorable kittens–what more could you want? With vintage linens and denims, materials new, old, and hand-made, it projects an inclusive, energetic, upbeat feeling.

Add a back made of black cotton with dayglo dogs in all shades of the rainbow and you’ve got BOLD!

Boldly we go, into the new… let’s hope an early spring will push through the snow!

Couldn’t help adding a few of my favorite things–Honey Girl’s footsteps in the snow, a laptop with stickers from the best radio station in Seattle (or the world, maybe), and other stickers from beloved local shops run by real people (a family in one case) and a feminist art studio in Spain; Salty Dog : a children’s book given to us by my dad the sailor. The Salty Dog books are by Gloria and Ted Rand: a Seattle author/illustrator pair whose work is charming and never fails to grab kiddos. P.S. See the hilarious laughing crows on our shed, by Stroble Art of Puyallup, WA. Then there’s Hello Kitty, just because.

Happy New Year!

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spring into hope!

Life can be sweet. Hard but with moments of grace. As I was writing this, Richie Havens, “Here Comes the Sun” came on the airwaves thanks to my favorite radio station KEXP, and reminded me of this flowering tree seen recently in Chinatown. Yes, let’s have some hope! Spring is coming, hate has lost, help is on the way. Tomorrow Trump has to leave the White House by noon, and we’ll have new leaders : President Joe Biden and Vice President Kamala Harris!

After four years of Trump, it is amazing to survive intact. And after all those years in the drear darkness and punishing snow and winds of Indiana winters, I am surprised by the light touch of winter in Seattle–it’s a damp darkness, slow-moving but livable. While we await vaccines and better times, I gave myself a task of capturing the rage and despair inspired by Trump, but now that “The Ten Days til Post-Trump” is done and published, I am ready to move on.

We persevere, holding book discussions while shivering at a picnic table, finding things to do at home, suspending judgment, just getting by. My sewing gives me hope and love; I hope the feeling comes across and gives you a little lift. Here is a sneak preview of “Respect” quilts no. 7 and 8, in progress.

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American literature art conflict creativity quilts wisdom

day 79: follow his words–Chad Sanders, that is

Hey readers,

Exhausted, heart-sick, anxious and wretched? Me too. But we need to get over it. I got a surge of new energy–and humility–this morning from reading the powerful article in the New York Times Op-Ed section by Chad Sanders (author of the forthcoming book, Black Magic). The article is accompanied by the image above, by Hanna Barczyk, which says it all: hey white folks, stop drowning black people in your crocodile tears!

Basically, Sanders is here to chastise us–white people like me who’ve written to our black friends this week–and to explain why our messages are misguided and tiring. Black people are drowning in our smug letters and texts, he says. Moreover, he points out that us telling people, “Don’t feel the need to respond,” is wrong on all accounts: it is oppressive,  condescending and not appreciated by the recipient. (How would you like it if someone told you how to feel? or not to feel?)

Most usefully, he provides instructions on what we CAN do, if we want to do something meaningful.  As he writes, “please, stop sending #love. Stop sending positive vibes. Stop sending your thoughts. Here are three suggestions on more immediately impactful things to offer instead:

  1. Money: To funds that pay legal fees for black people who are unjustly arrested, imprisoned or killed or to black politicians running for office.
  2. Texts: To your relatives and loved ones telling them that you will not be visiting them or answering phone calls until they take significant action in supporting black lives either through protest or financial contributions.
  3. Protection: To fellow black protesters who are at greater risk of harm during demonstrations.”*

*Chad Sanders, “White Friends, Fight Anti-Blackness,” New York Times (6/6/20): A21.

Being a good student, I immediately got out my wallet and visited the link on Anti-Racist and Social Justice Resources of my favorite local public radio station, KEXP. After studying some options, I chose to donate $100 to National Bail Out. I like their slim organization–run by volunteers–and their clear mission: this is a “Black-led and Black-centered collective of abolitionist organizers, lawyers and activists building a community-based movement to support our folks and end systems of pretrial detention and ultimately mass incarceration. We are people who have been impacted by cages — either by being in them ourselves or witnessing our families and loved ones be encaged. We are queer, trans, young, elder, and immigrant.”  Learn more at www.nationalbailout.org.

national bail out

In conclusion, please excuse me, black friends, if I annoyed you or wasted your time with my emails this week. And I thank you, Chad Sanders, for helping me understand how I can help with funding organizations like National Bail Out. On a lighter note, I’m thrilled to see one of my clients wearing one of my face masks to a local demonstration!  (Looking good, Shep!)

Shep at protest with HG face mask on June 5 2020

p.s. I’m still moving forward on plans for the “Respect” quilt project, and the special offer of a Honey Girl quilt for only $100 is still good for one more day!  See day 73 for details.

Respectfully yours,

Julia

fyi: no face masks made yesterday, but production resumes today…

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day 45: Slim Dunlap’s song “Times Like This,” an upbeat COVID-19 anthem

There was a funny-sad moment this morning, when my husband came down for coffee and laughed at me. (Usually I don’t like that!) But today I had to laugh too, when I realized how sad and worried I was making myself, how furrowed my brow had become, while reading articles with headlines like, “Foreseeing Years of Death and Rage”! Through the laughter, I relaxed, and realized I was polluting my own mental ecosystem—always a fragile thing—with an overdose of horrifically bad news. Yes, it is important to remain aware. Yes, it is crucial to keep our elected leaders on task. Yes, someone must keep those “murder hornets” at bay! But at the same time, we also must protect ourselves from unnecessary worry and despair, so that we can keep on going, living, hoping, sewing… for tomorrow, because tomorrow will come and things will get better. Different, but better than today.

So I’m pulling back from the news for now, and listening to a new favorite song, “Times Like This” by Slim Dunlap. Big thanks to KEXP DJ Kevin Cole, who has been playing Slim Dunlap’s song as a kind of COVID-19 anthem on his afternoon show, broadcast from his basement. I so appreciate the upbeat music mix; it keeps me company as I’ve been sewing all those masks, day after day, through this crisis.

Fyi, yesterday’s mask production:

Face masks produced on May 2 2020

More to come tomorrow. Until then, keep your chin up, and enjoy your own upbeat music mix. Try Slim Dunlap; he’s great!

 

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American literature art children creativity design friendship happiness music wisdom

Day 32: “Shameika”: Très cool.

You really know you’ve been listening to the radio a lot when you know who “Shameika” is. And you actually know who’s being written about in the media. Case in point: Fiona Apple, and her song “Shameika.” (Or “Shameika Said I Have Potential. Shameika Said I Have Potential. Shameika Said I Have Potential.”—you just keep on wanting to say it. It’s hypnotic.) The song’s dissonant rhythms and jarring effects reminded me of walking down the hall in high school, by the banging of metal locker doors and kids throwing words around like hand grenades.

Très cool.

In today’s New York Times, not one but four music critics join voices to explain the many ways Fiona Apple’s album is a “bold, cathartic, challenging masterpiece.” (And I’m going to order my copy asap from Easy Street Records!). Critic Lindsay Zoladz addresses the Shameika song, writing:

“One of the album’s unifying themes is women and Apple’s relationships with them, not in a rah-rah #empowerment sense but in a much more complicated and often very raw manner. A standout is “Shameika,” named for a schoolmate of Apple’s who—in a eureka moment for the artist that she admits Shameika probably doesn’t remember—told our antsy, tortured, self-doubting future songwriter that she “had potential.” The verses are chaotic torrents of piano and percussion, and then the world suddenly stops as Apple sings, in an almost hammy, Elton John kind of way, ‘But… Shameika said I had potential.’”

That is all good and fine but when I saw the photo of Fiona Apple—skinny white chick with long dark hair—and that she was raised in Harlem, I knew that Shameika was black.  That is key to the song!!!  Because it builds on what the critic should know, (shouldn’t they?) and admit: if you’re a neurotic white girl and a black girl thinks you’re cool, well, you suspect that it may actually deep down somewhere be true. It’s a bit of white culture, don’t you know… And it’s an amazing feeling.

(Fiona Apple’s young life in Harlem was harrowing. According to her wiki-bio, “At age 12, Apple was raped outside the apartment she shared with her mother, step-father and sister in Harlem. She subsequently developed an eating disorder, purposely slimming her developing body, which she saw as ‘bait’ for potential predators. ‘I definitely did have an eating disorder,’ she recalled. ‘What was really frustrating for me was that everyone thought I was anorexic, and I wasn’t. I was just really depressed and self-loathing.'”

So you can imagine when Shameika said she had potential, it was really, really, really cool. It was ruminate all the way home in your head and write about in your diary cool. Those words lifted her, til she was soaring in the sky on the wings of cool…

Nice.

Can’t wait to listen more to my favorite station, KEXP, after my quiet walk around the neighborhood.

fyi: here’s yesterday’s face mask production, for a mother and two children (daughter–blue; son–red).

Masks made on April 19 2020

btw: Keep those orders coming! If you can be patient, I’ll just keep on sewing face masks! I’m loving the sewing, actually (as long as I practice T’ai chi, take care of posture, and dance around the room while working!). I also love connecting to people through beautiful fabrics and careful stitching. My hope is that the people feel someone cares about them, and the masks endow them with a sense of dignity and style. As if we too, all of us, despite all this bad and sad stuff that’s going on, we too “have potential.”

photo of Fiona Apple by Sachyn – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=79308040

Fiona Apple joins the Watkins Family Hour house band for Bob Dylan’s Highway 61 Revisited at Lincoln Center’s Out of Doors series, August 8, 2015. Photo by Sachyn Mital.

 

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(later, on day 29)– late-breaking news: limited edition Seattle face masks!

Design inspiration struck today, as I was groovin’ to the dance music and cheerful songs played on our local public radio station KEXP! As a result, you now have two more choices in these limited edition face mask. With a winsome puppy, one celebrates West Seattle’s small business, Honey Girl Books and Gifts. The other commemorates the day when the sun rises anew on Seattle, after good health returns to the people. Just $25 each, for a limited time.  Email juliawsea@gmail.com to reserve yours! (pick-up will be in 1-3 weeks). And thanks for supporting our local businesses in this crisis! We appreciate you.