This quilt, made of tiny pieces of Japanese kimono silk, really sparkles in the sunlight! May its beauty shine some cheer into your day.
The border fabric is cotton with a violet pattern from Terao, Japan, a region known for its wisteria. (Thanks to Ashley M., who deciphered the characters for me.) The silks and cotton wisteria fabric came from Hosekibako–the elegant Japanese resale shop here in Seattle. Can’t wait to go back for more treasures!
P.S. I went to the Seattle Asian Art Museum today at the grand re-opening. It is a spring-like day here today; perfect for a trek to Capitol Hill. As we made our way back to West Seattle, the roads were (relatively) clear and trouble-free, the sky had fluffy white clouds, tiny sailboats flickered about on the blue waters off to the West, and all was cloaked in a subtle sense of well-being. That happiness is due in part at least to the art museum visit: seeing so many smiling, warm-looking Buddhas wishing you well does a world of good to the soul. And you must love the camels out front this art deco building–it brought back fond memories of climbing up and relaxing in their warm, smooth embrace, as a little kid. Reminded me of the Art Institute of Chicago also, and its lions.
The exhibits were all exquisitely balanced, well-contextualized by clear but un-intrusive signage, and thematically interesting. I liked the thematic organization; it makes it easier for non-specialists to see the differences between Chinese, Japanese, and Tibetan sculpture or painting , for example, when you see the objects side by side. Loved the Chinese landscapes with the tiny human figures and soaring mountains wrapped in mist, the adorable ducklings in the Chinese style, and the plum bough cloaked in snow.
But the best thing was to discover a link between my recent creation and Japanese tradition! Below you’ll see my big discovery: an eighteenth-century overcoat or kesa, where wisteria winds around other “auspicious motifs” including chrysanthemums and peonies. A phoenix flies by, adding to the baroque feel and hopeful message.
This visit reminded me of the profound eloquence of symbols. The crane–symbol of longevity–is featured in many delightful objects seen in the museum: for example this exquisite writing box. My quilt also has a tiny crane–or more precisely, a white heron, also an emblem of good luck*–tucked inside; see it hiding in the reeds below?
It is so inspiring to see and to create objects that pass on an uplifting message with eloquent symbols. Since I already have two more underway, I hereby vow to create an entire line of Kimono silk quilts, and each one will have a crane and other “auspicious motifs” sewn directly into it, thereby providing hopes for good fortune and long life to all the people they touch.
*Thanks to my new acquaintances at Hosekibako, for explaining the difference between cranes and white herons!